In a 1979 interview in “Guitar Participant” journal, Dire Straits entrance man Mark Knopfler summed up his self-taught guitar model to Joel A. Siegel. “I picked up the fundamentals from individuals just like the Shadows, the Everly Brothers, Duane Eddy, Rick Nelson, and Elvis…. I used to be into enjoying American music.” Elvis Presley influenced many younger musicians coming of age within the 1960s, even these throughout the Atlantic in England, and the King of Rock and Roll’s work and persona proceed to fascinate Knopfler into the 21st century.
Knopfler’s first brush with the King occurred when Phil Lynott (of Skinny Lizzy fame) penned a tune about Elvis’ dying for his 1980 solo album “Solo in Soho.” The track, entitled “King’s Name,” featured the identical model of guitar enjoying discovered on the primary two Dire Straits album. Knopfler is closely featured within the music video for the track, clad in leather-based pants and wailing away on his well-known purple Fender Strat. In a 2001 interview for Classic Guitar Journal, Willie G. Moseley referred to as the track “top-of-the-line Elvis tribute songs ever recorded,” to which Knopfler replied “I actually loved hanging out with Phil. [His death] was such a disgrace; he was a candy man.” Whilst not too long ago as 2006, the Austin Chronicle (an alternate Texas newspaper) was praising the “neon licks” heard on the monitor.
In 1991, Dire Straits’ final album “On Each Road” opened with a rocker of a tune, “Calling Elvis.” The track was additionally used to open every live performance throughout that exact 91-92 tour. Quite a few references to track titles such movement by way of the lyrics, equivalent to:
Oh love me tender
Child do not be merciless
Return to sender
Deal with me like a idiot
Satirically sufficient, the track itself wasn’t impressed by Presley, however truly an odd flip of phrase by a member of the family. Throughout a radio interview on BBC 1, Knopfler defined, “My brother-in-law occurred to say at some point that making an attempt to name your sister was like making an attempt to name Elvis. And that was it. That is all it was.”
In 2004, Knopfler continued to play tribute with a quiet track referred to as “Again to Tupelo.” Maybe extra about Elvis’s notorious supervisor, Colonel Tom Parker, it tells the story of Elvis at a crossroads. In a promotional interview that yr, Knopfler explains, “I suppose I noticed steadily as a child that Elvis wished to be a Hollywood star in addition to a singer. I did not notice fairly how badly. It stunned me to be taught that there are music managers at the moment who admire his supervisor, Colonel Parker. And hundreds of kids at the moment need to be well-known, typically simply to be well-known, most likely greater than at any time prior to now.”